History of People, closed
I am thrilled to announce that History of a People has been named a finalist for the 2024 Minnesota Book Prize, an international award that “honors excellence in new work from across the dynamic spectrum of book art.”
History of People, closed
I am thrilled to announce that History of a People has been named a finalist for the 2024 Minnesota Book Prize, an international award that “honors excellence in new work from across the dynamic spectrum of book art.”
Alabastron journal ships July 2024
I am pleased to announce publication of my essay, History of a People: Tracing Cultural Development Through Scent, in the premier issue of Alabastron, a journal published by the Institute for Art and Olfaction. The theme for the first volume is The Scent of Identity: Olfaction’s Role in Culture, Community, and the Formation of Self. My contribution is an embodied narrative that discusses the development and selection of the scents used in my artist’s book History of a People.
Preorders are available here. Shipping starts July 10, 2024.
I am thrilled to announce having been named a finalist for the Sadikichi Award for Experimental Scent for my project History of a People for the 2024 Art and Olfaction Awards given by the Institute for Art and Olfaction. The winners of each category will be announced at the Art and Olfaction Award ceremony in Lisbon, June 7.
I am honored to have been one of nine book artists invited to complete a commissioned work to commemorate the grand re-opening of the National Museum of Women in the Arts (NMWA) in Washington, DC. My proposed work, History of a People traces African American history and culture through scent.
Each of the six bottles (or chapters) holds a custom blended scent that corresponds to the cultural landscape of selected historical periods: Roots, Journey, Arrival, Harrow, Protest,Visioning. The scents symbolize the complex layering involved in the creation of a new culture.
Holding Ground: Artist’s Books for the NMWA, will be on display until October 2024. The celebration is year-long and the museum is planning several events.
Inheritance is on view in the 112th Annual Exhibition: Back to Front: Artists’ Books by Women, at Randolph, College in Lynchburg, VA. It is one of several on loan from the Cynthia Sears Collection at Bainbridge Museum of Art, in Washington. Ancillary to the exhibition are viewer engagement opportunities, including the repository of one-page books in the Quarantine Public Library, to which I contributed 2020, a book honoring victims of police violence. The exhibition will be on view through April 11, 2024.
History of a People, deluxe edition, closed
History of a People will be on view in In This Moment: The Book as Witness, curated by artist Julie Chen at the Environmental Design Library at UC Berkeley, January 10 – March 3, 2024.
Three of my books on view at the CODEX Foundation’s International Book Fair, in Oakland, February 4–7, 2024.
Emergence will be offered at The CODEX Foundation’s Art From Afar table inside the entry of the venue.
History of a People and Self will be offered at the Book/Print Artists of Color Collective Table #124.
I will be presenting a free 1-hour virtual altered book workshop for the National Museum of Women in the Arts (NMWA) Tuesday, July 25 from 9 - 10:30 am ET as part of their Educator Summer Camp series. Registration is required. Find out more and register here.
I’m pleased to announce that my textile work Lineage is on view in Paper Is People: Decolonizing Global Paper Cultures, at the Minnesota Center for Book Arts (MCBA).
The exhibition “offers a new definition of paper within a global and decolonial framework, and will be on view at MCBA until August 12, 2023. A reception will be held Thursday, June 22, 7–9pm.
The exhibition is free and open to the public. Additional information can be found here.
I am pleased to announce that my essay, Reading Roots, was published in the latest issue of Openings: Studies in Book Arts (Volume 5, 2022), the CBAA open access journal. In the essay, I explain how my use of unconventional materials is a link to cultural forms of expression, and why the selected materials are a component of memory, tradition, and history. Read the essay here.
I’m happy to announce that five of my books, including two new works, “Things I’ll MIss” and “Loci” are on view in “Layers and Narratives,” an exhibition at Tarrant County College, Southeast Campus from October 17 to December 2. This is the first in a long while that I’ve exhibited work locally and I’m excited to attend the opening tomorrow, Thursday, October 20 from 204pm. More information here.
I am honored to be the featured speaker for Changing the Conversation, and exhibition of “artist books, zines, and broadsides (that seek) to encourage conversations that challenge long held beliefs, ideals, and ideas facing our society. The exhibit will cover multiple topics that will leave each reader with an expanded knowledge of the social justice issues we face in our past, present, and future.”
In my talk Political Bodies: Agency and Intention, I will spotlight my book Wrongful Termination, which is included in the exhibition, the incidents that inspired it, a few other works and some thoughts on changing the conversation.
The talk is scheduled for Thursday, August 25, 2022 at 4pm Pacific Time. The event is free, but registration is required. Click here to register. Hope you see you there!