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Alisa Banks Studio News $$PLAIN_TEXT_PREVIEW$$
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We Spoke of Many Gardens, 26”H x 102”L, detail
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Greetings! Summer is on the horizon as is hope for continued easing of pandemic restrictions. This year has brought about unexpected opportunities for learning and a studio in flux. I am looking forward to introducing new work in the coming months, but wanted to share a few recent events.
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Craft BostonHalf (pictured below) is one of several textile collages in a variety of styles and sizes, that will be exhibited in Fiber Stories, a virtual event sponsored by Craft Boston from July 16 - August 29. Fiber Stories will feature artist interviews and demonstrations, conversations with experts in the field, and the chance to shop for one-of-a-kind fiber-based art. Half is a mixed media textile collage/book of paper and fabric that features stories about sharecropping.
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Spring’s Promise (above), is on view at the US Embassy in Ouagadougou, Burkina Faso. Spring’s Promise is a hand quilted silk medallion style textile collage that incorporates dried plants and leaves printed on silk, and speaks to the hopefulness and potential brought about by the earth’s yearly awakening.
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Chocot (above), on view at the US Embassy in Timor-Leste, is a paper collage quilt structure consisting of reclaimed monoprints, watercolor paintings, fabric and stitching, and is a nod to the traditional practice of reclaiming used clothing for the creation of new quilts. The process of destroying, tearing and re-arranging the pieces parallel those of observation, deconstruction and analysis - steps required for growth and renewal. Bainbridge Island Museum of Art
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Water is on view in Water is… at the Bainbridge Island Museum of Art, Bainbridge Island, WA until June 27. Water, is from my Elemental series, and features stories about passages, purification, knowledge, and wisdom.
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While delving into research for several projects, I set out to learn about natural dyeing, ink making, and harvesting pigments from plants, soil and rocks. Intact plants have been a prominent feature in much of my work and I continue to search for more ways in which to connect with and incorporate them. Dyeing with plant materials is no longer a complete mystery, though I am far from expert on the subject. The fabric and paper samples pictured above will be used to create new mixed media books and collages.
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Quarantine Public Library
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2020 (above), was created for a special submission to the Quarantine Public Library (QPL) with the Book/Print Artist/Scholar of Color collective. The QPL is a repository of books made by artists and are free to download, print and assemble. The Book/Print/Scholar of Color Collective, founded by Tia Blassingame, brings scholars of book history and print culture into conversation and collaboration with Black, Indigenous and People of Color (BIPOC) book artists, papermakers, curators, letterpress printers, and printmakers to build community and support systems. 2020 is a tribute and an offering to individuals whose lives were lost as a result of racially motivated violence, many of whom were not mentioned in the national news cycles. The image featured in 2020 is a composite of flowers grown in my garden, my daily refuge after listening to the morning news. The entire QPL library can be downloaded in one file for a small fee. All proceeds will be donated to Everyoneon a nonprofit that connects low-income families to affordable internet service and computers. More about the QPL, including folding instructions, are on the QPL website. (If you decide on the print all option, Carolyn Swiszcz has a free DIY small book storage template on her website here).
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Several years ago (already!) I was invited to submit a definition for The Book: 101 Definitions – by Amaranth Borsuk, a chapbook initially published by MIT Press as part of their Essential Knowledge Series. The anthology was recently reprinted by Anteism and the Center for Expanded Poetics as a limited riso printed edition of 350. Currently there are 50 available copies remaining. Proceeds from the sale of this special printing of The Book…will be donated to We Need Diverse Books (WNDB), an organization that advocates essential changes in the publishing industry to produce and promote literature that reflects and honors the lives of all young people. Read more about WNDB here. Click here to order the riso printed copy of The Book: 101 Definitions.
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I am thrilled and honored to have work in several collections, but rarely mention placements in this newsletter. However, I am excited to announce two that have been recently purchased to commemorate special occasions:
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Fading Gardens (detail, above), was purchased in honor of the opening of the newly renovated Neilson Library at Smith College. An article on the new space, designed by architect Maya Lin can be found here. Fading Gardens consists of 5 accordion structures that open and overlap to form a quilt. It is constructed of handmade paper containing plant material gathered from five family gardens and features text based on oral histories.
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A copy of Emergence is an inaugural special acquisition in observation of Juneteenth for the Mahn Center for Archives & Special Collections at Ohio University. Emergence is a 3-part book featuring Creole sayings and stories that together form a study of self-examination.
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I’ve had the pleasure of visiting (virtually), classes at several colleges and universities this year, sharing work and “talking” books. Occasionally, I am invited to speak publicly about my work. Such was the case recently at Tulane University, where Sara White, Kadin Henningsen, and I discussed our work in the collection of the Howard Tilton Library in Artist Books at TUSC, recorded here. My next scheduled public talk is Artists Talking About Books, with Rhiannon Skye Tafoya and Annie Lopez, Wednesday, August 18 at noon CT for Textile Talks, weekly presentations and discussions on a variety of topics co-sponsored by 6 fiber art organizations. Artists Talking About Books is sponsored by the Surface Design Association. There is no charge for the event, but registration is required and the session will be recorded. Additional public talks and other activities are in the works and will be announced in the News section of the website and on Facebook and Instagram.
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Thanks for reading this newsletter! You’re receiving this message because you signed a notification list from a show, lecture, or workshop, or requested or consented to receive my newsletters. I hope you’d like to continue receiving these twice yearly updates, but if you prefer not to, please click the unsubscribe link below. Kind Regards ~alisa
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