Subscriber First Name ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏ ͏

Alisa Banks

Studio News - February 2026

Dear Subscriber First Name,

As promised, this letter introduces the final three artist’s books created at Oak Spring Garden Foundation (OSGF). A little background…

While I was in Virginia at OSGF last year attending an artist’s residency, I learned through research that 10,455 enslaved people in Fauquier County, where OSGF is located, were emancipated upon the end of the Civil War. It was shocking to learn of the sheer number of enslaved who were living in this one county, which is not even the largest, nor the county with the most enslaved people in Virginia.

Above: Fauquier 10,455

More sobering was considering the thousands who were released with only the clothes on their backs and their wits as their own. Fauquier 10,455 is a visualization of the number of emancipated souls. It is also witness to a meditation that took place as each dot was stamped individually onto the silk organza, representing an individual freed.

Above Fauquier 10,455 detail

The reverse side lists the initial names I was able to recover.

Fauquier 10,455 is a one-of-a-kind scroll.

Searching/Finding is a unique scroll which visualizes the accumulated data from researching the history of OSGF.

Layered mull (a heavily starched cotton fabric used to reinforce book spines) features a cut and stitched outline of the two adjoining tracts of OSGF, and names of the enslaved interspersed.

Searching/Finding, detail

The shapes of the OSGF properties - Little Oak Springs and Rokeby - are embroidered onto the back of the scroll and are also visible on the front.

Tracings mentions the beautiful stone walls, many built by slave labor, that crisscross the terrain of OSGF and surrounding tracts.

Above: Stone wall with chestnut insert.

I wanted to take rubbings (frottages) of the oldest stone walls, those the enslaved built, which contained spacers of American Chestnut. Thankfully, my other housemate Sefra Alexandra accompanied me on the frottage quest and took the image below.

Rubbing a sample of a stone wall.

Tracings - closed book (right) sitting in open box. The cover features a frottage of a section of one of the many stone walls dotting the landscape.

My goal was to complete Tracings onsite - it was important to me that the book should be at, and of, the place. My thought is that it would be made with what was on hand and, though not spontaneous, it would be partially impromptu.

Though five weeks was a stretch, it was not such a long time to conduct research and complete a book (actually two books and a box)!

Tracings features names of the enslaved, and names and prints of native trees, and herbaceous and garden plants.

Foodways and folkways of the enslaved are presented as questions because, though this information is available for the Piedmont Virginia area, I could not verify it as specific to the people who lived on the lands surrounding OSGF.

The enslaved persons mentioned in Tracings were not documented in the written history of Virginia, but that does not mean that they were forgotten by their ancestors. Remembering and honoring ancestors takes place in many forms – by awareness of family history, sharing stories of individual deeds, and continuing foodways and customs, to name a few.

I was happy to learn of an initiative, in which the African American Historical Society of Fauquier County (AAHA) and OSGF are involved, to locate descendants of the enslaved, which will likely bring to light more names and connections, righting the wrongs of erasure.

It was a fruitful five weeks, and I am thankful to the Oak Spring Garden Foundation for the time and space to delve into this topic.

Above: With my fabulous housemates Barbara and Sefra.

Above: Map of Richmond, detail

I am currently contemplating my post-OSGF adventure in Richmond and the new work it inspired. Looking forward to sharing!

 

On View

As a reminder, History of a People, a conceptual artist’s book that traces African American history and culture through scent, will travel with Who is America at 250? Artists' Books on the State of Democracy, co-sponsored San Francisco Center for the Book (SFCB) and the CODEX Foundation. This touring exhibition is open at SFCB from January 17 through March 8, which coincides with the 2026 International Biennial CODEX Book Art Fair & Symposium in Berkeley (February 7-10).

Several events related to the exhibition are scheduled during the CODEX fair:

  • Friday, February 6th, a kickoff party is scheduled at SFCB from 6-9pm.

  • Sunday, February 8, at the CODEX Symposium, two exhibiting artists will give talks starting at 9:15am, followed by a panel discussion and Q&A at 10:40am.

  • Wednesday, February 1l, a gallery walk-through with the exhibition curators and some of the exhibiting artists will take place from 6-8pm.

The exhibition will be on view at the Boston Athenaeum, March 30 - May 16, followed by the Minnesota Center for Book Arts, June 12 - August 16.

 

Workshop

Registration is open for my Handwork Week 2026 workshop, Speak Your Piece: Artist’s Books With Meaning, at Bainbridge BARN on Bainbridge Island, Washington from Monday, April 27 to Friday, May 1, 2026.

If you are considering but still have questions about the workshop, skill level, materials, or logistics, please don't hesitate to reach out. Click here for more information about the class and registration. Handwork 2026 is sponsored by Craft in America. Hope to create alongside you in April!

Have a great month!

~alisa

 

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Kind Regards ~alisa

Alisa Banks © 2023

PO Box 763730, Dallas, TX, USA

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